Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of Weimar society and the brutality of war. Along with George Grosz, he is widely considered one of the most important artists of the Neue Sachlichkeit.

Special Exhibition Gallery - Glitter and Doom: German Portraits from the 1920s

Portrait du comte St Genois d Anneaucourt. By Christian Schad.

Hein Gorny | New Objectivity, 1920-1930s

Untitled (Collars) 1928 gelatin silver print x x © Hein Gorny ─ Collection Regard

Christian Shad New Objectivity painting " Count St. Genois d'Anneaucourt" Art Styles: Die Neue Sachlichkeit (The New Objectivity)

Christian Schad - "Marcella", 1926 [Marcella Arcangeli was Schad's first wife]

Michael Arnold Art: Art Styles: Die Neue Sachlichkeit (The New Objecti...

German, Die Skatspieler (Skat Players) (later titled Kartenspielende Kriegskrüppel [Card-playing War Cripples]), 1920 oil on canvas with photomontage and collage

Otto Dix (German, 1891-1969) Portrait of the lawyer Hugo Simons, 1925. Oil and tempera on canvas, 100,3 x 70,3 cm. Montreal Museum of Fine Arts

Otto Dix, Portait of the Lawyer Hugo Simons (Porträt des Rechtsanwalts Hugo Simons), Tempera and oil on plywood, × cm. Montreal Museum of Fine Arts © Otto Dix, by SIAE

Christian Schad ''Sonja'' 1928

Haustein Christian Schad Sonja 1928 by Christian Schad is hand painted from Abacus Gallery by one of our artists using the finest quality canvas and Winsor and Newton Professional oils.

Otto Dix (German 1891–1969) [Expressionism, Neue Sachlichkeit] Pragerstrasse, 1920. Staatsgalarie, Stuttgart, Germany.

Otto Dix ~ Prager Straße ~ 1920 ~ Olieverf en collage op doek ~ 101 x 81 cm. ~ Galerie der Stadt, Stuttgart ~ © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Max Beckmann (German 1884–1950) [Neue Sachlichkeit, German Expressionism] The Trapeze, 1923.

Max Beckmann German 1884 – 1950 The trapeze 1923 oil on canvas x cm Toledo Museum of Art Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey Photo: Photography Incorporated, Toledo

Rudolf Schlichter: Hausvogteiplatz, 1926 - watercolor (Source) "At the end of his Dada-period Schlichter became a representative of the veristic wing of the ‘Neue Sachlichkeit’. Art became his weapon...

Rudolf Schlichter: Hausvogteiplatz, 1926 - watercolor (Source) “At the end of his Dada-period Schlichter became a representative of the veristic wing of the ‘Neue Sachlichkeit’. Art became his weapon.

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